Boucher’s interest in science fiction and fantasy did not dwindle, though.  He wrote a poem for Weird Tales, reviewed science fiction and fantasy for the Chicago Sun-Times and Los Angeles Daily News.  During his time in Los Angeles, in the late 1930s, he became acquainted with the Mañana Literary Society, which was a club of science fictioneers (as they often called themselves), including Robert Heinlein, Cleve Cartmill, Ed Hamilton, Henry Kuttner, Jack Williamson, and others.  Boucher wrote about the Society in his mystery Rocket to the Morgue (which was published under a different pseudonym: H. H. Holmes; that was not a reference to Sherlock, at least not explicitly, but the borrowed pseudonym of murderer, Herman Mudgett—who, incidentally, was the subject of the recent The  Devil in the White City.)

Rocket to the Morgue is interesting in a number of ways.  It gave some clues to Boucher’s interest in Forteana—indeed, it is a very Fortean book.  It also gave a glimpse of the science fictioneers at work during the late 1930s.  (It was published in 1942 and set in 1941.)  It is self-referential: one of the characters is Anthony Boucher, another member of the Society, and his wife.  The book also recasts the Sherlock Homes mythos into the world of weird fiction and science fiction tales.  It is set in a world where science fiction was given a huge lift by author Fowler Foulkes, who created the character Dr. Derringer.  Derringer did for science fiction what Holmes did for mysteries—made them possible, was the epitome of the genre, was so believable that he almost seemed to be alive and, indeed, seemed to come to life in the course of the mystery.  At the time the story took place, Fowler Foulkes had died and his literary empire was being run by his son, Hilary.  Writing about the all the ways that Hilary frustrated those who hoped to adapt Derringer to different media or to continue his exploits in new stories gave Boucher a chance to comment on the manager of the Holmes character, Adrian Conan Doyle, son of Sir Arthur, who also jealously protected his father’s legacy and often confounded the plans of fans who wanted to use Sherlock Holmes in new ways.

Boucher’s most famous intervention into the world of weird tales, though, was as co-editor of The Magazine of Fantasy and Science Fiction.  Originally conceived as only a fantasy magazine, FSF, as the cognoscenti knew it, became the successor to John W. Campbell’s Astounding—even as that magazine continued publishing.  It can be arguably said to be the standard-bearer of science fiction magazines during the 1950s, and certainly so of the fantasy—or weird—tale, with Weird Tales itself ceasing publication in the middle 1950s, after years of decline.  The magazine published a couple of Bay Area Forteans, Garen Drussai and Miriam Alan de Ford (who published an article on Fort).  Toward the end of his life, Clark Ashton Smith had George Haas facilitate correspondence with Boucher; Smith was having trouble finding new markets for his work, and hoped Boucher could help.  (Apparently, he couldn’t.)  Other Fortean inflected stories also appeared here.

Boucher edited The Magazine of Fantasy and Science Fiction until 1958.  He stayed active in the field—and in mystery—up to his death from lung cancer on 29 April 1968.

Among Boucher’s great enthusiasms was Sherlock Holmes.  He wrote radio plays about the fictional detective’s exploits, essays about him, anthologized other works about Holmes, and belonged to the Baker Street Irregulars, a Sherlock Homes fan group (not unlike, in its way, some of the science fiction fan groups; apparently, the Irregulars were all men, but when Boucher and an editor at the San Francisco Chronicle formed a Bay Area chapter they were so inundated with requests from women to join that they formed a women’s auxiliary group, which demonstrates, at least a little, some of Boucher’s liberalism and sense of social justice).  His books made regular reference to Holmes—not surprising since those who belonged to the Irregulars had to have read all of Arthur Conan Doyle’s Holmes novels and short stories and pass a test. 

It is worth spending a few moments thinking about this fascination with Sherlockiana, as there are a couple of ways in which it connects to Fortean activities.

As I discovered in writing my book on Bigfoot, Sherlock Holmes was a favorite among cryptozoologists: Bernard Heuvelmans considered himself the Sherlock Holmes of Zoology and Holmes’s aphorism, “when you have excluded the impossible, whatever remains, however improbable, must be the truth” was repeatedly quoted by those such as Grover Krantz who were deeply committed to proving the existence of Sasquatch.

Certainly, part of this interest in Holmes merely reflected the fact that he had become the very epitome of scientific detection—even people with no knowledge of the fifty-six Sherlock Holmes short stories and four novels know of the name and know its meaning.  As well, there very well could have been a somewhat closer connection, in that Holmes was often referred to in the men’s adventure magazines which published so much about Bigfoot in the 1960s and 1970s, and so Bigfooters would have often tripped over references to Holmes.

But there’s another reason, too, I think Holmes appealed to Bigfooters: because, as historian Michael Saler says, he embodied a certain kind of rationality that was attractive to Bigfooters.  The rise of modernity and the power of science in the first part of the twentieth century, made many people worried that magic, imagination, and enchantment were being drained from the world.  Not to put to fine a point on it, but there was a sense that—in Max Weber’s phrase—the “Iron Cage” of Rationality, Science, and Bureaucracy—yes, all capitalized—conspired to turn all of us moderns into drones, mere numbers in a larger symptom.  That fear, obviously, has dwindled some but not gone away.  Holmes’s showed how to confront this dilemma and triumph over it—how to accept rationality and reason but imbue it with imagination.  Saler writes, “Holmes solved cases by relating seemingly discrete facts to a more encompassing and meaningful configuration, whose integuments were derived from a combination of rigorous observation, precise logic, and lively imagination.”  Bigfooters saw themselves employing the exact same method.  Scientists themselves were slaves to instrumental reasoning; they lacked the imagination to understand all of the subtle clues.  Bigfooters, on the contrary, could see how the tracks, the hair, the sightings added up to something exciting, something wonderful—that reason could enchant the world.  That ratiocination could prove the improbable.  Such as the existence of a monster in the Pacific Northwest woods.

Or, more broadly, that Forteans, perceptive to life’s clues and blessed with an imagination, could add up those observations and discover wonders ignored by science: falling rocks, UFOs, teleportation or, more grandly, our Et overlords or the Super Sargasso Sea that hovered above the Earth.

(A similar form of what Saler calls “animistic reason,” the melding of imagination of rationality, motivates science fiction writing, as well).

But this statement—that Forteans might believe in a Super-Sargasso Sea from which strange objects fall onto the Earth—needs to be immediately qualified, and interest in Sherlockiana shows how.

One conceit of the Baker Street Irregulars was that Holmes really existed—that Arthur Conan Doyle merely chronicled the real life exploits of a detective.  They celebrated Holmes’s birthday (the theologically meaningful January 6), for example.  There were even biographies written of Holmes.  In one of his mysteries, The Case of the Baker Street Irregulars, Boucher himself played around with this idea: the dedication read, “All characters portrayed or referred to in this novel are fictitious, with the exception of Sherlock Holmes, to whom this book is dedicated.”

Of course Boucher knew that Sherlock Holmes was fictional, as did other members of the Baker Street Irregulars, and even those who wrote a biography of Holmes.  But they were, Saler argues, indulging another response to the grim prospects of modernity: using what he calls the “ironic imagination.”  By suspending disbelief and playing around with the idea that a fictional character actually existed, they could enchant the world—make it seem magical and wonderful—while not giving up on rationality, while recognizing that what they were doing was play.

Fortean interests, I would argue, are often driven by this self-same ironic imagination.  Indeed, Fort said explicitly that he did not believe in all of his theories—nor did all of his followers.  They didn’t really think that there was a giant sea surrounding the world.  But the idea of it made the world seem more interesting, more magical.

Boucher’s interest in Holmes, then, was (possibly) of a piece with his interest in Fort.  It was a way of reclaiming a space for the imagination in a world that threatened to destroy it.